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Affective Moments in the Films of Martel, Carri, and Puenzo [[electronic resource] /] / by Inela Selimović
| Affective Moments in the Films of Martel, Carri, and Puenzo [[electronic resource] /] / by Inela Selimović |
| Autore | Selimović Inela |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (270 pages) |
| Disciplina | 858.91209 |
| Soggetto topico |
Motion pictures, American
Motion pictures—Production and direction Women Ethnology—Latin America Culture Gender Latin American Cinema and TV Directing Women's Studies Latin American Culture Culture and Gender |
| ISBN | 1-137-49642-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Part I MINORS AND HOMEBOUND VIOLENCE - Retributive Affects in Albertina Carri’s La rabia (2008) -- 3. Affective Otherness in Lucrecia Martel’s La ciénaga (2001) -- 4. Lucía Puenzo’s El niño pez (2009): Fluid Intimacies, Affective Dwelling -- 5. Part II REMEDIATIONS AND AFFECT - The Hypermediacy Appeal in Albertina Carri’s Los rubios (2003) -- 6. Muted Gestures, Screaming Affects in Lucrecia Martel’s La mujer sin cabeza (2008) -- 7. Ghostly Pasts and Contested Silence in Lucía Puenzo’s Wakolda: El médico alemán (2013) -- 8. Part III BOLD BOREDOMS, LIBIDINOUS AFFECTS - Compulsory Boredom and Cerulean Desires in Lucía Puenzo’s XXY (2007) -- 9. Albertina Carri’s Géminis (2005): Leisurely Boredom, Incestuous Discontent -- 10. Lucrecia Martel’s La niña santa (2004): On Waiting, Monotony, and Agentic Kinesthesis -- 11. Conclusion. . |
| Record Nr. | UNINA-9910300001803321 |
Selimović Inela
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Authoritarianism, Cultural History, and Political Resistance in Latin America [[electronic resource] ] : Exposing Paraguay / / edited by Federico Pous, Alejandro Quin, Marcelino Viera
| Authoritarianism, Cultural History, and Political Resistance in Latin America [[electronic resource] ] : Exposing Paraguay / / edited by Federico Pous, Alejandro Quin, Marcelino Viera |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XIX, 301 p. 8 illus. in color.) |
| Disciplina | 320.4 |
| Collana | Memory Politics and Transitional Justice |
| Soggetto topico |
Latin America—Politics and government
Comparative politics Regionalism Ethnology—Latin America Motion pictures, American Comparative literature Latin American Politics Comparative Politics Latin American Culture Latin American Cinema and TV Comparative Literature |
| ISBN | 3-319-53544-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910300497803321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Child in Contemporary Latin American Cinema [[electronic resource] /] / by Deborah Martin
| The Child in Contemporary Latin American Cinema [[electronic resource] /] / by Deborah Martin |
| Autore | Martin Deborah |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (XII, 245 p. 22 illus., 17 illus. in color.) |
| Disciplina | 791.436523 |
| Collana | Global Cinema |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Motion pictures Youth—Social life and customs Communication Latin American Cinema and TV Latin American Culture Global Cinema and TV Youth Culture Media and Communication |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-137-52822-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Child Death in Buenos Aires viceversa, La vendedora de rosas and La mujer sin cabeza -- 3. Children's Journeys: Central do Brasil, Viva Cubaand Cochochi -- 4. The Childhood of a National Hero: José Martí: el ojo del canario -- 5. The Child in Post-dictatorship Southern Cone Film -- 6. Unruly Bodies: La rabia and El último verano de la boyita -- 7. Transnational Mobility, Authenticity and the Child: Alamar. |
| Record Nr. | UNINA-9910483075003321 |
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Martin Deborah
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| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary Latin American Cinema [[electronic resource] ] : Resisting Neoliberalism? / / edited by Claudia Sandberg, Carolina Rocha
| Contemporary Latin American Cinema [[electronic resource] ] : Resisting Neoliberalism? / / edited by Claudia Sandberg, Carolina Rocha |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XIX, 278 p. 8 illus., 7 illus. in color.) |
| Disciplina | 791.43098 |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Latin America—Politics and government Motion pictures Culture Latin American Cinema and TV Latin American Culture Latin American Politics Global Cinema and TV Global/International Culture |
| ISBN | 3-319-77010-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Contemporary Latin American Cinema and Resistance to Neoliberalism: Mapping the Field (Claudia Sandberg) -- 2. Southern Hegemonies and Metaphors of the Global South in También la Lluvia (Alfredo Martínez-Expósito) -- 3. Neoliberal Masculinities in Contemporary Peruvian Cinema: Octubre and El limpiador (Rosana Díaz-Zambrana) -- 4. New Geographies of Class in Mexican and Brazilian Cinemas: Post Tenebras Lux and Que horas ela volta? (María Mercedes Vázquez Vázquez) -- 5. Paraíso ¿Cuánto pesa el amor?: Challenging the Neoliberal in Mexican Cinema (Niamh Thornton) -- 6. Güeros: Social Fragmentation, Political Agency, and the Mexican Film Industry under Neoliberalism (Jacobo Asse Dayán) -- 7. Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer in Peru (Sarah Barrow) -- 8. Larraín’s No: A Tale of Neoliberalism (María Paz Peirano) -- 9. Crowdfunding Images of Colombia and Ecuador: International Collaborations and Transnational Circulation in a Neoliberal Context (Carolina Rocha) -- 10. Argentine Cinema in the Age of Digitization: Between Foreign Dominance and Discussion of Benefits (Andrea Morán and Miguel Fernández Labayen) -- 11. Social Cinema in Neoliberal Times: The Macabre Baroque in the Films of Pablo Larraín (Walescka Pino-Ojeda) -- 12. Between Armed Conflict, Social Awareness, and the Neoliberal Market: The Case of Alias María (Carlos de Oro) -- 13. Maximiliano Schonfeld’s Films of the Volga Germans in Entre Ríos: About the Neoliberal Devil in Argentine Cinema (Claudia Sandberg) -- 14. Community Film in Southern Greater Buenos Aires: Emerging Voices and the Economy of Film as Resistance to Neoliberalism (Andrea Molfetta). |
| Record Nr. | UNINA-9910300038703321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cuban Film Media, Late Socialism, and the Public Sphere [[electronic resource] ] : Imperfect Aesthetics / / by Nicholas Balaisis
| Cuban Film Media, Late Socialism, and the Public Sphere [[electronic resource] ] : Imperfect Aesthetics / / by Nicholas Balaisis |
| Autore | Balaisis Nicholas |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (XII, 201 p. 23 illus., 19 illus. in color.) |
| Disciplina | 791.43098 |
| Collana | Global Cinema |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Latin America—Politics and government Motion pictures—History Communication Latin American Cinema and TV Latin American Culture Latin American Politics Film History Media and Communication |
| ISBN | 1-137-58431-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910155635603321 |
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Balaisis Nicholas
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| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Domestic labor in twenty-first century Latin American cinema / / Elizabeth Osborne, Sofía Ruiz-Alfaro, editors
| Domestic labor in twenty-first century Latin American cinema / / Elizabeth Osborne, Sofía Ruiz-Alfaro, editors |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (xiv, 242 pages) : illustrations |
| Disciplina | 791.43628 |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Culture Gender Motion pictures Women Latin American Cinema and TV Latin American Culture Culture and Gender Global Cinema and TV Women's Studies |
| ISBN | 3-030-33296-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Elizabeth Osborne and Sofia Ruiz-Alfaro -- Restoring names, stories, and voices for cinematographic maids: toward a new poetics of domestic service in recent Argentine films / Maria Julia Rossi -- Moving beyond maternalism: negotiating models of womanhood in La Nana, Cama adentro, and Hilda / Elizabeth Osborne -- Leftovers no more: affect, food, and power in recent Latin American films on domestic work / Karina Elizabeth Vázquez -- Serious camp: Juan Gabriel's queer repertoire in ¿Qué le dijiste a Dios? / Olivia Cosentino -- Defamiliarizing the maid: Alicia Scherson's play / Susana Domingo Amestoy -- Beyond tropes: otherness and the identity of the Brazilian maid in Domésticas-O Filme and Doméstica / Maurício Sellmann-Oliveira -- Partial affection: The place(s) of female domestic workers in recent Brazilian cinema / Carlos Cortez Minchillo -- Domestic labor and the crisis of care in La tierra y la sombra and La sirga / Marcelo Carosi -- Domestic matters: Hollywood and the politics of representing la doméstica in Babel and Cake -- Sofia Ruiz-Alfaro -- Filmography / Kerry Moynihan. |
| Record Nr. | UNINA-9910485139803321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Film and Democracy in Paraguay [[electronic resource] /] / by Eva Karene Romero
| Film and Democracy in Paraguay [[electronic resource] /] / by Eva Karene Romero |
| Autore | Romero Eva Karene |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (VIII, 169 p. 18 illus., 15 illus. in color.) |
| Disciplina | 791.43098 |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Latin America—Politics and government Democracy Latin American Cinema and TV Latin American Culture Latin American Politics |
| ISBN | 3-319-44814-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- 1. Hamaca paraguaya (2006): the Campesino and Circular Time -- 2. Frankfurt (2008): Documentary, Fútbol, and the Campesino Icon -- 3. Film, Rape, and the Nation: Karai norte (2009) and Noche adentro (2010) -- 4. Queering Paraguayan Film: Cuchillo de palo (2010) and Semana capital (2010)” -- 5. The Child as Paraguay’s Future: Calle Última (2010), Mita´í (2011), and 7 cajas (2012). |
| Record Nr. | UNINA-9910155306603321 |
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Romero Eva Karene
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Films of Arturo Ripstein [[electronic resource] ] : The Sinister Gaze of the World / / edited by Manuel Gutiérrez Silva, Luis Duno Gottberg
| The Films of Arturo Ripstein [[electronic resource] ] : The Sinister Gaze of the World / / edited by Manuel Gutiérrez Silva, Luis Duno Gottberg |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (375 pages) |
| Disciplina | 791.430972 |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Motion pictures—Production and direction Latin America—Politics and government Communication Latin American Cinema and TV Latin American Culture Directing Latin American Politics Media and Communication |
| ISBN | 3-030-22956-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction; Manuel Gutiérrez Silva -- Part I. Slicing the Nationalist Gaze: Arturo Ripstein in the History of Mexican Cinema -- 2. Fifty Years in Film 1: Ripstein’s early years and his place in Mexican cinema; Luis Duno-Gottberg and Manuel Gutiérrez Silva -- 3. Anachronism and Dislocation: Tiempo de morir (1965) Between the Nuevo Cine Mexicano and the Global Western; Rielle Navitski -- 4. El castillo de la pureza (1972): A National Allegory about the Perils of Closed Markets; Christina L. Sisk -- 5. Marranismo, Allegory, and the Unsayable in Arturo Ripstein’s El Santo Oficio (1974); Erin Graff Zivin -- 6. Becoming “Arturo Ripstein”? On Collaboration and the “Author Function” in The Transnational Film Adaptation of El lugar sin límites (1978); Catherine Grant -- Part II. The Sinister Gaze: Pathos, Abjection, and Blood -- 7. Fifty Years in Film 2. Accomplices: Arturo Ripstein and Paz Alicia Garciadiego, An Interview; Luis Duno Gottberg and Manuel Gutiérrez Silva -- 8. Deconstructing the Divas: Music in Arturo Ripstein’s El lugar sin límites (1978) and La reina de la noche (1994); Catherine Leen -- 9. Mexican Abjection: Lucha Reyes and the Politics of Suffering in La reina de la noche (1994); Sergio de la Mora -- 10. Profundo carmesí (1996): Blood Weddings in Contemporary Mexico; Javier Guerrero -- Part III. Undoing the Melodramatic Gaze -- 11. Fifty Years in Film 3: The Melodrama and Filmmaking in the Twenty-First Century, An Interview; Luis Duno Gottberg and Manuel Gutiérrez Silva -- 12. Arturo Ripstein: The Film Auteur in the Age of Neoliberal Production; Ignacio Sánchez Prado -- 13. La perdición de los hombres (200): Beyond Melodrama and its Variations; Niamh Thornton -- 14. Mothers, Maidens and Machos: Demolishing the Myths of Mexican Melodrama in Principio y fin (1996); Caryn Connelly -- 15. From La Manuela to La Princesa de Jade: Visual Spectacle and the Repetition Compulsion; Claudia Schaefer. |
| Record Nr. | UNINA-9910481956503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Globalization and Latin American Cinema [[electronic resource] ] : Toward a New Critical Paradigm / / by Sophia A. McClennen
| Globalization and Latin American Cinema [[electronic resource] ] : Toward a New Critical Paradigm / / by Sophia A. McClennen |
| Autore | McClennen Sophia A |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (555 pages) |
| Disciplina | 791.43098 |
| Collana | Palgrave Studies in Globalization, Culture and Society |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Globalization Latin American Cinema and TV Latin American Culture |
| ISBN | 3-319-57060-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- Section One: Process -- 2. Coproduction -- 3. Distribution -- 4. Exhibition -- Section Two: Place -- 5. Argentina -- 6. Brazil -- 7. Mexico -- Coda -- 8. On Location: Is Titanic a Mexican Movie?. |
| Record Nr. | UNINA-9910300025903321 |
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McClennen Sophia A
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Human Rights, Social Movements and Activism in Contemporary Latin American Cinema [[electronic resource] /] / edited by Mariana Cunha, Antônio Márcio da Silva
| Human Rights, Social Movements and Activism in Contemporary Latin American Cinema [[electronic resource] /] / edited by Mariana Cunha, Antônio Márcio da Silva |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (265 pages) |
| Disciplina | 791.4 |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Social justice Human rights Latin America—Politics and government Motion pictures Latin American Cinema and TV Latin American Culture Social Justice, Equality and Human Rights Latin American Politics Global Cinema and TV |
| ISBN | 3-319-96208-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Human Rights and the Shadow of Chile’s Dictatorship: Patricio Guzmán and the Poetics of a Cinematic Landscape -- 3. Rewriting the History of the Urban Revolutionary: Documentary Film and Human Rights Activism in Post-Dirty War Society -- 4. Human Rights Abuses and State Violence in Prison Films by Hector Babenco -- 5. Territories, Existence and Identities: Indigenous Peoples in Argentine Films -- 6. The Right to Nature: Contested Landscapes and Indigenous Territoriality in Martírio (2016) -- 7. Urban Occupations: Cinema and the Struggle for the Right to Housing -- 8. The Art of the Social Movement Corrective: On Redeeming the Human Rights Narrative in También la lluvia and Our Brand is Crisis -- 9. Transnational Finance on the Road to the Andes: Societal Ruptures and Poisoned Deals in La deuda/Oliver’s Deal (2015) -- 10. A Woman’s Right to Move: The Politics of Female Walking in Latin American Cinema -- 11. Intersectionality as a Human Rights Issue in Contemporary Latin American Queer Cinema. |
| Record Nr. | UNINA-9910300032703321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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